brooklyn’s dither down records presents galaxians debut long player let the rhythm in, available now on limited edition double gatefold heavyweight vinyl and download. firmly rooted in the club culture and dance lineage of their hometown leeds, ltri s eight tracks bristle and pulse with the same energy that the band s live performances have become well know for. the album s soulful, muscular sound resonates with a raw playfulness, and with the addition of singer emma mason in 2016 the band have forged a path to a sound steeped in the tradition of new york disco and boogie heavyweights such as inner life, gwen guthrie, and producer/writer leroy burgess.

following the hugely appreciated reissue of stanislav tolkachev “why are you so frightened” we proudly present “catacomb saints”. two songs written during the same period as “yes, today” and “imago”, originally planned to come out in 2011 but halted due to a severe traffic accident in label manager rivet’s life followed by years of hospitalization. but times are brighter now! we hope you enjoy this quite weird and simply singular 10” by the eastern genius that is tolkachev
music and photography by stanislav tolkachev
dedicated to alexey dekanov 1985 - 2012
mastered by benny liberg
manufactured for kess kill

tripmastaz presents tripmastaz 05, the 5th release of a series off his eponymous vinyl only imprint and “made by the ones who believe and put soul, thoughts, ideas and life to their music, art and craft. this music is for the ones who care”. previous releases of the series have already received support by artists like ricardo villalobos, cabanne and apollonia.

mit hitsingles wie -get a life-, -back home- und -sky and sand- (mit seinem bruder paul) hat fritz kalkbrenner in den letzten jahren unser modernes verständnis von elektronischer musik mitgeprägt. nach vier erfolgreichen alben, von denen die letzten beiden die top 10 der deutschen albumcharts erreichten, wendet er seinen musikalischen blick in eine andere richtung. es geht hier um elektronische musik, wie sie fritz kalkbrenner in seiner jugendlichen sozialisierung in den bis heute legendären techno- und houseclubs der hauptstadt in den neunziger jahren kennengelernt hat. die zäsur, des weglassens der so vertraut gewordenen bariton stimme öffnet die tür in die weite welt elektronischer musik, die sowohl für das homelistening, als auch für den clubeinsatz taugt. es gibt auf diesen 12 tracks keine konventionen und manchmal auch kein halten mehr, fritz kalkbrenner lässt sich gehen in der faszination für dub techno, für klare dominante housestrukturen oder auch in feinen hymnischen melodien die aus so manchem titel des neuen albums herausscheinen.
double vinyl in outer sleeve with 3mm spine

the first and only licensed reissue of this rare 1979 two disc set rescued from obscurity by chris veltri (groove merchant records, sf) back in 2004. few have heard it till now. t.j. recorded these four tracks in the south bay, solo-style after stints in bay area bands the mysterious minds and dawn & the sunsets. this release contains two 12 inch discs with four side-long tracks housed in a beautiful 70s style matte tip-on gatefold jacket. disc one plays at 33 1/3 rpm and disc two at 45 rpm. a download card is included.

the people at antinote are always excited to introduce new names to its roster and sign libra, its latest addition, makes no exception to the rule. released under the moniker sign libra, closer to the equator is the work of latvian artist and composer agata melnikova. composed for a contemporary ballet at latvian national opera in riga, the music on this record strongly relies on melnikovas appreciation of bbc-produced nature documentaries. projecting the life of each creature that inhabits the british tv-program into her very personal and highly synthetized world, sign libra lends these microscopic beings her own voice. each song works like a musical tableau in which the main protagonists plants and animals come on stage to play their part in a ballet carefully choreographed by the latvian artist.

spacetalk is proud to reveal its most exciting release to date: a collection of long-lost recordings from forgotten californian duo morrison kincannon, rescued from the dusty tape archives of the pair’s lead songwriter, norman morrison... with only a handful of sought-after private press 7” singles to their name, morrison kincannon are all but unknown outside record collecting circles. yet norman morrison and terry kincannon wrote and recorded some superb songs during the 1970s and early ‘80s, desperately hoping for the break that would see them released on vinyl. now, at last, their time has finally come.

releasing an album into the world is a special moment for any artist but when you re an artist who grew up in remote northern ghana with no schooling, spending a life herding cows and goats, building your own instruments and teaching yourself to sing, then there s a particular sense of occasion and celebration in finding recognition and an audience for that music. this is the case for guy one, an utterly unique artist who is writing and performing frafra music, a style that originates from a small area in the north of ghana. whilst guy one is already loved and adored locally by now - building up a fervent following in local villages in which no funeral or wedding would take place without his soaring voice and deeply rhythmic playing, before then transforming into an award-winning, tv appearing artist in ghana - his music is now to find a much wider audience through max weissenfeldt s philophon label (jimi tenor, hailu mergia, alemayehu eshete) on this berlin meets bolgatanga release.

its the big 5! berlin frankfurt based label house is ok is celebrating its five-year long presence and has decided to mark that period with something special labels story started with a sticker homeboy printed in his former hometown, zagreb, saying house is ok. catchy, right? it became an underground slogan of the local scene. it didnt take long for people to embrace the idea stating that its ok to be into melodic, fresh, groovy yet, at times, a bit awkward dance music. just around the same time homeboys frankfurt based bros oliver achatz and janis played with the idea of starting a record label. guess what the logical choice for the name was? ten records, dozens of original songs and remixes later house is ok continues to grow. literally. what was once a platform for the original three founders is now an international family affair supporting the talented artists from frankfurt, stockholm, alexandria and orlando. nurturing the friendly approach this musical family continues to grow. looking back at the first five years, not only at the music that connected them all but at the bonds that deepened through the production process, house is ok crew wanted to take create a proper reminder and thank the ones supporting them throughout the years. a double 12 pack titled gemišt seemed like a proper way to do that. „gemišt will be released as two separate eps featuring the original music from kornél kovacs, roman flügel, gavri & mcqueen, tcb, house of life and the label makers themselves. oliver and janis deliver tracks under their known names, while homeboy introduces his new project with fellow wilde renate resident the swift, called longhair. croatian artist ugruv smek marks his yearlong collaboration with the label delivering yet another smashing artwork.

all aboard the super tuff 003! this vinyl only v/a sails from the brooklyn docks at dawn. walking up the gangplank first is our lead cartographer, australias dj heure, carrying the blueprints for ra-ia tropical, ambient cut that grows into a swell of birdsongs and synthesizer swells. stoking the coals in the boiler room is hot coffee, a richmond based producer who fires up on the verge for his vinyl debut. the aggressive and furiously anthemic tune pushes the ep past rough seas and sails us safely through the night. as morning arrives on the b-side, ship captain m. vaughan throws a life-raft overboard with the chugging, yet delicate man to man. and with time running out for the motley crew, austrian navigator tilman sets his compass for the sunset, keeping morale soaring with a day to remember ia finale track brimming with beautiful rhodes work and tender spoken words.

odd music s stroboscope 006 motions into rotation after a long awaited period. once again odd give us some insight into their creative genius with a three piece of shifty neo-noir dubs. forty-five, thirty three & a third and nine come to life with dark melodies and crisp jazzy percussion amidst a set of chromatic synth progressions. each track rolls seamlessly into the other, but with their own definition in the collection. soon to be available, this release is another great edition in the odd music discography.-

the second outing on his midnight themes imprint, marlon hoffstadt touches on featherlight acid, proto trance and jacking house across three tracks, also brimming with sub and dub. fresh from recent releases on hot haus, ransom note records and his own retrograde, marlon hoffstadt is reemerging as a defiant staple of dancefloors far and wide. with his newest release, the berlin producer encourages listeners to engage with the music without the parasitic interferences of 21st century life. so for the next 20 or so minutes - screens off and blinds down to enjoy some pure awareness.

triple vinyl pack from the manual label, containing these eps:
- guy j - stop hold (man014-5)
- tundra / qbical / paul hazendonk - three is a crowd ep (man015-5)
- qbical - life is just a bunch of pixels (man017)

a long time in the making quare groove vol. 1 sounds of the irish musical underground from the 70s & 80s. spread across 2 12inches with extensive liner notes on printed inner sleeves. re-mastered with care by shawn at optimum.

next up on ruff stuff music ltd are 4 killer, heavily stomping tracks on the boundaries between house and techno. untitled05 is a new and fresh evolution of the label, bringing to life a solid sound with warm and intense atmospheres, including a magic remix by dj honesty. inside the storm opens side a with an imposing groove and hypnotic stabs, definitely flashing for the dancefloor. dj honesty s remix with its unique groove and the samples manipulation, goes in a deeper direction but still strong and energetic. the b side is full of surprises with mistake a track with a raw sound featuring incessant 909 toms, piano stabs and vocals that definitely recall the vibrations of the 90 s. a home with no air represents the true soul of ruff stuff, a warm house track with female voices, stabs and a fabulous organ that will transport listeners to another dimension. just put the needle on, push play and dance! vinyl only, limited copies.

new release from the french shop and label groovedge records. after a first k7 on the imprint and a recent collaboration with light on earth owner sentiments, franck gerard delivers ambios, a patchwork of 6 smooth tracks ep. its kind of braindance and ambiant with delicate drums or sometimes not. synthetisers in the high way, its powerfull and it should your new soundtrack of everyday life.

unhuman, founder of liber null berlin, presents 3 twisted cuts of proto-ebm turbulence with acidic peak, enhanced by a seek&destroy remix from the inimitable charles manier. the ep closes with a grotesque synth-punk track by aktion mutante, the upcoming project of unhuman himself and violet poison.

dedicated to giving newcomers an honest platform to showcase their talents, this run of compilations is to be comprised of crystalline electronic music, spanning out across various forms. the inaugural offering sees villanova and time team up to reshape la chicas oasis with brushstrokes of subtle melancholy, teho fuse contemporary deep house with ukg and yeuz pair of idiosyncratic compositions, for the modern dance floor. label founder, agoria, ventures south of one hundred and ten beats per minute on his remix of embers, cloaking stefan smiths original in humility and innocence. a few words from the artists … about their tracks oasis: the original track brings us a very unique vibe, the work of the analog textures implement perfectly the unique voice of la chica …as soon as i listen to it i was hooked to make a remix that would keep the same feeling .. but adding the energy and dynamic to make it floor friendly. embers: other than music, stefans only other passion in life is reading samuel beckett. whilst reading his radio play embers he got a call from nicolas becker asking him to contribute some work to a project. he set about composing this track with becketts words reverberating around his head. this track somehow made it into the hands of becketts friend/collaborator agoria and here we are.

after profound synthesis, fundamental sounds return to the game with another special ep, warrios of xian. the first emperor of china built the xian warriors because he thought that those warriors could re-incarnate and return to life in this world or another. this record embodies that transcendental spirit, taking the ethos of that old chicago sound and letting it live on through the new word of some of its modern natives and far flung global brothers. at its centre is the dance floor.

dystopian dreams are often used by our minds to try out new, scary scenarios. they act as the perfect playgrounds because they combine elements of our real world with speculative elements that do not exist in&#8203, &#8203,real&#8203, &#8203,life.&#8203, &#8203,rumah&#8203, &#8203,enters&#8203, &#8203,into&#8203, &#8203,the&#8203, &#8203,second&#8203, &#8203,dream&#8203, &#8203,of&#8203, &#8203,dystopia&#8203, &#8203,conjuring&#8203, &#8203,up&#8203, &#8203,three&#8203, &#8203,dark&#8203, &#8203,and&#8203, &#8203,heavy,&#8203, &#8203,stompers.

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers’ third album. “solchi” is a deep search into previous moments in lorenzo nada’s lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbc’s current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbc’s tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements. for this project, gbc invited several musicians into his home studio, both old friends and new. they helped to recreate the sounds of the original recovered recording, as well as add fresh ideas to the project.

last years on the corner underground smash release, the 12inch ep santuris embaire umeme, introduced uganda’s mugwisa international xylophone group (m.i.x.g) to the world. the recordings center on the embaire, a giant xylophone native to ugandan folk music, which is dug into a pit for a natural, earthy bass resonance as gargantuous as the instrument itself. the instrument performs a key role in village life, with ceremonial playing sessions lasting for hours on end. these recordings may be esoteric in nature but they add important context to the santuri’s embaire umeme 12inch and are a vital documentation of the iganga village’s culture, as well as that of uganda. jones has artfully chopped the epic session into a series of short evocative chapters to create a pioneering masterpiece. remix duties are led by griot house innovators, the diabolcal liberties, who have raved-up some sun ra frequencies for the cosmic junglist crew. last but never least, victoria topping has created beautiful artwork using the session photography taken by jones during the recordings

boris bunnik is no stranger in the world of electronic music. he released several albums and ep’s under a variety of monikers since 2007 on labels like delsin, shipwrec, frustrated funk and his own transcendent imprint. fauxpas musik welcomes him for a new project called severnaya.
originally hailing from the island of terschelling, the most northern and remote part of the netherlands he now made a piece of music dedicated to this special place. severnaya means north in russian and refers to the bright frozen landscapes of the northern archipels. boris often plays with the influences and elements of ambient in his music. if we have to believe the man himself, polar skies is his most personal sound trajectory to come from his mind. drum programming is scarce and what remains is a lush and profound listening experience floating on scapes and melodies. we clearly hear his roots and intentions represented in the airy, tranquil sound design of this new album project. things sound spacious, and life is at ease in these melancholic compositions. crispy crackling percussions and icey pads place you in the midst of a resonant arctic landscape. you can hear influences drawn from producers like biosphere, pub, brian eno but we also hear more contemporary influences from modern day film composition but most of all we here boris his own signature. the tracks were composed over a couple of years (2015-2017) in a more contemplative mindset. at some point this selection formed a consistent piece of music and as a result you hear his most personal and fragile works to date. fauxpas musik is proud to release this new project in 2018. written and produced by boris bunnik aka conforce at the pasadenaoceanlab studios special thanks to family, friends and fauxpas musik for their support. this release comes in 180g vinyl and a hot foil stamping on the cover. vinyl tastes better...

the album is titled timespan and is by the veteran pittsburgh artist shawn rudiman and will be released on november 24th worldwide on 2xlp and digital. the album is a carefully curated journey through almost 20 years of shawn s music productions. the tracks collected here--the majority of which have not been heard outside of shawn s studio--showcase a producer with seldom matched knowledge of studio techniques, while also hinting at his world renowned live performances. having access to a vault of hundreds of unreleased compositions, we believe this is an important step in documenting shawn s contribution to pittsburgh and american dance music. * artist statement: -all of these tracks are simply snapshots of my life moments. they go from base-level warehouse to more cerebral sophistication. so, take them as such. timespan sums it up well. some songs are almost 2 decades old, some are fresh. it s a paragraph written with words that have years between them. somehow they still all sort of make sense together.- - shawn rudiman

during all my years as an active musician in different constellations i have also worked continuously with my own material. a kind of unrestricted flow of creativity that has given birth to a lot of different expressions. so listening to this album is a journey through many phases in my life. v.v.v.v.v is an album with a sound world like a kaleidoscope of moods and melodies flowing between silky kraut pop and distorted synths. claesons takes on his debut album out experiments desire and lets his kraut background form the basis and tops with modern electronic sound

centrifuge ep is the debut vinyl release on new hardgroove techno german label called kickmasomaass. this label was especially created to bring high quality hardgroove and tribal techno music for the real djs and a new life to vinyl. centrifuge ep is the first part of two vinyls where you can find a original version from slovakian hardgroove techno dj and producer andy bsk and three remixes from g8, goncalo m and wyrus. untill the original version is characterized by a groovy bassline with smooth percusions and synths, the g8 remix goes a little higher and bring the entire track to another level with great progressive sounds of trance and techno with a little acid synths too. don t need to write too much about the remix from hardgroove icon goncalo m because all hardgroove fans know how great his music work is. only a couple of words: killer beat, killer bass, killer percussions, this track kills all clubs and partys. next remix is from hardgroove producer wyrus. his remix is based on a killer beat with heavy percussions and at the lenght with over seven minutes is this track great for mixing. centrifuge ep is for all people they love hardgroove techno and we from kickmasomeass label will bring you only the best from the best. hope you all will appreciate our work and will support our label in the future too. may the hardgroove techno be with you.

ima (intense molecular activity) is the duo of don hunerberg (synthesizers) and andy blinx (drums and percussion). based in new york city and active between 1979 and 1982. don, a studio sound / music engineer and musician, andy an electronic clothing designer, drummer and sound reinforcement engineer at downtown clubs like max’s kansas city, mudd club and cbgb. in between doing sessions at radio city music hall studios for groups such as ramones, richard hell, sonic youth, liquid liquid, john zorn, glenn branca and many others, ima took advantage of off hours to create their own music. as far as influences go, don’s background was in electronic music and andy’s in prog rock. to produce the songs, don used his own method of creating patterns from 2-track tape loops and then edited them together on to a 24-track recorder adding more tracks of overdubs, in a very similar way that sequencers are used today.

this has always been a rare 12inch originally only released in the uk in 1979, phoenix was considered to be too disco at the time and the release pretty much sank without trace - one reason why finding those original uk 12inches is near on impossible these days. just 2 copies on discogs and a mint one will be circa £50 if you re ever lucky enough to find one. however, since 1979 phoenix has grown in stature and what was once considered to be a twee disco tune has now become a huge collector s item and a staple in the right clubs. no surprise really as this is norman connors at the top of his game and the production is red-hot. how phoenix never made it to 12inch vinyl in the u.s. is one of the great mysteries of life but here it is on beautiful fresh 12inch vinyl some 38 years later. as with all our 12inch re-issues we ve replicated the original label. luckily there are no bootlegs to contend with on this release, so this is the first re-issue of this song since the original release date, so order with confidence

a true holy grail from the cloud one catalog, dont let my rainbow pass me by is the third of a string of titles on golden flamingo produced by the p&p duo of patrick adams and peter brown and featuring vocals from guardian angel singer margot williams. similar to previous cloud ones productions, this record had all the elements of a patrick adams classic, but with vocal arrangements that foreshadowed the work he would do with inner life and jocelyn brown at salsoul. perhaps not so much of a concidence then that margot williams would provide backing vocals on inner lifes second and final album. even though it was originally released in 1981, dont let my rainbow pass me by is still championed by high-profile deejays today. over the years, its been notably sampled in basement jaxxs romeo and covered by todd terje and prins thomas in reinbagan as a dub-disco cut. available for the first time since its original release, our only piece of advise is to don’t let this classic pass you by.

nice price deal !!! some things have a special meaning, although not everyone is given to know it, then life becomes a circle, where nothing happens by chance. dark and solid techno: >belief system< is the brand new and big floor ready ep by the italian duo asymptote, mind and soul of suburban avenue label, with a superb remix by the spanish techno legend oscar mulero. a1 >belief system< is a deep and spaced out, 1990s inspired techno journey. a2 is a potent, classy and widely reverberating revisitation of >belief system< track, perfectly executed by the master oscar mulero. b1 >theory of knowledge< and b2 >divided lines< are hard stomping, driving and tripped out tunes >at the beginning we didnt know the path, but our mission was so clear. and its still so<

daniel avery returns to phantasy for a 4-track limited edition 12inch vinyl ep, slow fade, featuring the title track and first single from his much-anticipated sophomore lp, upcoming in april via phantasy. a prelude to the lps sonic exploration of the twilight world of a personal, transient life spent between clubs, hotel rooms, airports and home, slow fade captures the expanded foundations of averys sonic palette. arresting club moments linger under the surface, but the focus is on the smudged ambience that underpin averys grasp on rave euphoria. as a re-entry into a broader musical universe, slow fade is immediately compelling, combining neo-acid, feedback loops and pure atmosphere at a patient but restrained pace. meanwhile, after dark alters this aesthetic to its raw, pensive elements, stripping avery’s distinctive drums completely, revealing a meditative, ambient fog. radius announces itself with industrial intent, before unfolding seamlessly into a wistful electronic hymn, the perfect soundtrack to brooding london skies, and eventually evolving into slow-motion motorik. closing the ep, fever dream finds avery at club tempo, but in a somewhat agitated state, on this occasion focusing on a paranoid rhythm that emerges clean from eerie, even paranoid territory. close your eyes, press repeat.

the 2nd propaganda album, originally released in 1985, now back on 180 gram vinyl with extensive 6 page 12 inch booklet included.

the new album from turin breaks as 180 gram vinyl with download code included.

the berlin-based citylow label has been releasing quality house and techno for some time now. born from a mix of musical influences from the metropolitan suburban life, the label is characterized by vintage, analogue sounds, modular systems and the many other influences of label manager alfredo trastulli aka f.t.g. the heart of the label is citylow humans crew, a movement of underground artists around the world who day-after-day match their story with an underground music philosophy.

for their first release of 2017 and third edition of the series, the parisian crew, discomatin, dug harder than ever to propose edits still in the spirit of the afterparty they organize. the ep is composed by four tracks, finely picked and slightly edited by the djs of the crew. they cover a wide range of genres, from french boogie, to cosmic disco, through west-indies or new-wave influenced lyrics. there is definitely something for all tastes on this ep. it’s fresh, it’s french, so don’t sleep on

sapiens talks - jacques jacques is like no other. a cult artist already. loved or hated. jacques divides. who better to follow the exciting and passionate emmanuelle duez for this new volume of the sapiens talks? this initiative of a label usually familiar to dancefloors who promised to break the carcans of the traditional music label. asking questions about the world around us. give a voice to actors in civil and cultural life. speak to another audience. a slowdown in the frenzy of everyday life, which favours thoughts, the talks sapiens are rare moments. available on vinyl in a limited edition of 500ex. discover jacques an odd personnality. spontaneity, inspiration, sharpness, equanimity and digressions are all part of the sapiens talks 2!

tmpz002 of temporize records is an ep from glasgow affiliate dam-ru, drawing on themes of gnosticism, occultism, cosmology and automatism, dam-ru displays his attempts at transcendence through sound, and delves deep into the subconscious, to a world within worlds.
he crafts complex yet warm, organic electronic music that flirts with ambient, dub and experimental sounds. with “too many voices”, his debut ep, he explores a far eastern, mystical theme in producing 4 tracks that wouldn’t feel out of place in an epic film score.

remastered vinyl re-issue of the 1994 double album by experimental electronica group the future sound of london. with time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.
comes on 180 gram double vinyl with download code included.

the 10th release sees the debut album of both cleric and setaoc mass.

gogo music proudly presents this album sampler release which assuredly will be cementing sir lsg’s reputation as one of the most exciting artists on the scene. with his tasteful and innovative recombination of traditional and contemporary electronic elements, he put together a masterly crafted testament about life or as he puts it, “the representation of people as constantly moving objects, to reach a certain destination or form, is depicted in the music, highlighting ordinary experiences - through highs and lows, we keep on moving.”

very happy to have henry wu and earl jeffers debuting on mcde recordings this fall with their double sider -projections/hi-life-. both pablo valentino and myself have been fans of their work, be it henry and earls solo stuff or the highly adventurous yussef kamaal project which henry introduced 2 years ago. these guys take the london sound to a whole new level and we are very proud to have them doing their thing on our label.

the numero groups dive into the deep end of americas private press continues. having battled the witches and wizards of darkscorch, the outlaws of cosmic americana, and traveled alongside ladies from the canyon and their lonesome heroes, its time to take it easy. with pop musics volume knob adjusted for deflation in the early 70s, softness begat smoothness. crewmen arrived from the worlds of jazz, folk, rock, and soul, all peddling a product that was sincere, leisurely, and lofty. a sound that was buoyant, crisp, defined. sometimes classified as west coast and, later, yacht rock the compass points of our private yacht expedition are the blue-eyed harmonies of hall and oates, the cocaine-dusted fender rhodes of michael mcdonald, and the combover strums of james taylor. here, at the glassy apex of rocks softer side, 20 strong swimmers are gathered together. an album for both relaxation and reflection, where listeners can enjoy the present, a cool breeze, and a taste of the good life.

for almost a decade, spains ramiro lopez has established himself as one his countrys leading proponents of techno, with strong releases across labels that include suara, intec, octopus recordings and bedrock. he first debuted on drumcode in 2015 with the rousing collaborative track clap your hands that ranked among one of the labels standout tracks for the year. with one drumcode release already under his belt in 2017 and a new label project odd recordings with fellow dc cohort arjun vagale recently launched, hes enjoying another strong year. his return to the label comes in the form of being alone , a powerful trio of cuts, all of which featured in adam beyers awakenings festival day 1 performance. the title track is a multi-layered weapon, propelled by a dizzying vocal, swirling synth effects and pin-sharp percussion that build toward a smooth classy finish. dark science is an effective stomper brought to life by a bell chime hookline and undulating synth melody ensuring its peak-time prowess. der raum rounds out the ep, highlighted by lopez s deft drum work, proceeded by a driving, euphoric climax.

known by genre aficionados as one of the greatest singers and most riveting stage presences in soul music, jackie shane has remained largely unknown outside toronto, where her career briefly flowered in the 1960s. beyond her unmistakable gift of the gab, shane is a pioneer of transgender rights, born in a male body but unabashedly living her entire life as a woman at a time when to do so seemed unthinkable. any other way is the first artist-approved collection of ms. shanes work, ollecting all six of her 45s and every highlight from the legendary 1967 live sessions at the sapphire tavern, including three mind blowing, previously- unreleased tracks. rob bowman’s 20.000 word essay is jackies first communication with the public in nearly half a century, telling for the first time ever jackie shanes story in her own words. this deluxe two album set is copiously illustrated with never-before seen pictures from a career and a life unlike any other.

180 gram double vinyl plus download code.

ext to being one of the core members of the acoustic deep listening ensemble razen, ameel brecht is a trained guitar player who has a life-long involvement with the instruments repertoire under his belt. on his debut album polygraph heartbeat, he puts his guitar-heart on the line by means of 9 compositions for steel resonator and resonator mandolin.

already supported by kai alce, the revenge, sascha dive, jacques renault, thony (frank & thony), baaz, life recorder, anaxander, eric cloutier, fred berthet, lootbeg, schubert, relatif yann, did virgo, dub striker.. --- modelisme is back with a 3 pure deep raw house tracks ep, singularly cooked by gari romalis, brilliant producer from detroit. gari loves house music, whatever if that sounds deep, raw, vocals, no vocals, drummy, techy, hypno, disco, dub, friendly or unfriendly.. the only point is that must get groove, and gari romalis drives groove. he makes always his tracks as one shot based on, seeking always for right balance, sensible deepness and holding tension. we use to see him on great and famous labels like warm tapes adjustment, isgud, housewax, rawax, bosconi or dockside, developing each time slight different moods and directions. for that occasion, he delivers « mechanic ep » on modelisme, sounding trippy, housy , dubby and solid!

the immense popular debut album by the corrs is available on vinyl for the first time ever!
forgiven, not forgotten is the debut album by the corrs. the album was primarily produced by david foster, with additional production by jim corr. it became internationally popular, but nowhere more so than their homeland, where the lp’s four-times-platinum status made it one of the most popular debuts by an irish group.
pressing on 180 gram audiophile vinyl.

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou.